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Okay so, earlier this week the nominees for the 2011 Grammy Awards were announced and (on the recommendation of a reader), I thought that I’d briefly take a look at the nominees in the Reggae category and give my thoughts on them and the award in general because I haven’t really done any thing like this yet and I do very much have a few strong opinions. First of all, however, the nominees for the 2011 Grammy Award for the Best Reggae Album are:. “ Before The Dawn” by Buju Banton. “Revelation” by Lee ‘Scratch’ Perry. “Isaacs Meets Isaac” by Gregory Isaacs & King Isaac. “Legacy: An Acoustic Tribute to Peter Tosh” by Andrew Tosh.

“One Pop Reggae” by Sly & Robbie. “Made In Jamaica” by Bob Sinclair and Sly & Robbie.

If you read my work to any degree, you’ll know that I almost never say such things, but in my opinion, of he six nominations, four of them are BAD albums. I mean they’re really bad. The only two which aren’t, Buju’s mediocre and increasingly worsening and Sly & Robbie’s ”One Pop Reggae” compilation, which was pretty good but probably not good enough to make my (or one else’s) “Best Compilation” list for 2010, certainly aren’t GREAT by any means.

But are you really surprised?The most obvious thing that came to my mind when I saw the nominations, even though there’re six of them, is PREDICTABLE. There is nothing here which comes as a surprise really because the ‘template’ for Grammy nominations has been pretty much defined over the years, we may not be able to predict which albums are going to nominated (or we may in some years), but you definitely know which TYPE.There are the popular elders such as Burning Spear, Bunny Wailer, Scratch, I’ll place Sly & Robbie in there as well and a few others who’re going to be nominated almost every time they do something kind of new. There’re the Marleys and while didn’t pick up a nomination this year, all I need to do to make the point is say that last year, Stephen Marley completed a ridiculous act of winning the same damn award twice (two years apart) with one album. There’s the popular number - Meaning Shaggy, Sean Paul and whoever else is popular at the time - And then there’s Buju who, despite arguably being one of the most controversial artists in the world, regardless of genre, has the distinction of having his last four studio albums have been nominated for the award and whatever else he makes next will also be nominated. And you know it.

If you do not fit into one of those categories, most likely you aren’t going to get nominated and most unfortunately that excludes probably 99% of relevant Reggae artists. It also excludes our most relevant of labels, VP Records pictured, to a large degree. Say what you will about the label (because you will anyway), but if you know enough of them to complain, chances are good that you know enough to be disappointed in who has NOT been nominated for the Reggae Grammy.By my research, no album which was a VP only album and didn’t fit into one of these categories (the only exception has been Shaggy) has been nominated for a Reggae Grammy since 2003 when, SHOCKINGLY, the label had three different albums selected ”Ghetto Dictionary: The Mystery”, and ”Anything For You” by Bounty Killer, Capleton and F reddie McGregor, respectively.

Not so shocking was the fact that none of them won of course, because Scratch hadn’t won a Grammy yet. And before that, there haven’t been many either and it is just SO fucking strange that you have the award which goes back to 1985 and have a dominant label which has only had a handful of albums mentioned throughout that time. 'I could burp for 45 minutes continuously on a record next year and still get nominated for a Grammy'Specifically over the last few years it’s pretty much gotten ridiculous. How in the world Queen Ifrica’s was not named last year is a mystery which probably has no common sense explanation.

The same goes for releases from the likes of Tarrus Riley, Duane Stephenson and Etana over the last few years. These are artists whose international images haven’t been tarnished (and obviously that isn’t a problem because.

Buju) with controversies and seemingly they would be very fitting names to have brought up (especially when you consider how nice it would be to have not only NEW talent winning that award, but a female as well). And while I’m certainly not trying to overrate the impact of this award on people like you and me, I believe that this is a sign of something which is one of the main reasons why I, personally, like to pay the vast majority of my attention and the attention of this blog to CURRENT artists who are in or very near their primes, because this is one of the grand perceptions - That in Reggae Music ‘older means better’. 'Just 35 more years!' This year in particular, removing my own feelings (because as much as I love it, Naptali’s album simply isn’t winning a Grammy and that’s fine, I get it), how can someone like Romain Virgo not be a PERFECT candidate for nomination? This youth presumably can be around making music as he does for the next HALF-CENTURY or so, and perhaps in the final decade or two of that, he’ll be old enough to ‘qualify’.

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There’s Duane Stephenson, SANCHEZ, Luciano, Spragga Benz, Lady Saw and who knows who else would be on a list of names who would seem to be, for one reason or another (besides just the overall quality of their projects), very good choices for nomination and all of whom released albums which have been better received than ALL of those which have been nominated this year. The Reggae Grammy is simply ’backwards’ and ’backwards thinking’ and it pretty much always has been. In my opinion it is a slap in the face to our music. I cannot imagine that in a year when artists such as Eminem, Jay-Z, TI and Lil’ Wayne released albums that the Grammy for Best Hip-Hop Album would be settled between the likes of. Biz Markie and Bushwick Bill. And that’s certainly not to put those artists down, but it is to show the difference in the methods of thinking and perceptions between the two (and after checking, both Jay-Z and Eminem are nominated this year, and Eminem won last year and looking over the winners and nominees in the Rap category, they are much much more current to my knowledge than in Reggae). At this time of year good people are in the mood for giving and, although it holds no great personal distinction or significance for me, I was raised under the notion that to refuse a gift was rude and I dare not disgrace my Parents and Grandmother by being impolite.

So, if you were doing some shopping for Achis, what would you buy me? Well, I don’t know if you’ve noticed, but I really really like music. I’m a pretty big fan of Reggae Music, in particular - I absolutely LOVE it. Now presuming, of course, you could conjure up almost anything that I would want, maybe we could start with a new Sizzla album! I know that the New Year will almost surely bring the obligatory release from Greensleeves, now going for more than a decade strong, but if wanted to materialize such an album before the end of the month, I wouldn’t be the one complaining. Well, 2010 is apparently about to end without a new studio album from Lutan Fyah, so if you could make such a thing happen, I’d be most appreciative.

What else would I like? Well, in speaking more currently, looking at how the year has gone, I’d say that probably one of the greatest gifts I could receive right about now would be an album from someone like. Oh I don’t know. Let’s just say, hypothetically of course, that. Mikey General would just drop an album. That would be really nice. 2010 has been a bit of a renaissance year for the veteran singer to my opinion and the very fact that he’s simply been around more and more has helped to make the year even more memorable.

This year, unlike most the previous for quite some time has found the General staying active and doing so through a very healthy variety of sources. He’s had notable appearances on bit time, top notch pieces such as the from Tiger Records, Dynasty Records’ Upliftment Riddim and various others (including the recent compilation from Jahsolidrock & Not Easy At All Productions) releases which, although they may not have raised the profile of this wonderful artist in the grandest of senses, they’ve definitely gone onto to make up one of the greatest years of his career in recent times. So, if you could find a way to line up a Mikey General album for me that would be just such a nice thing to do.THANK YOU! Apparently my wishes (and obviously that’s the only reason this album exists) have been responded to as a little while back came the word that an album which was going to get me REALLY excited was forthcoming - Mikey General’s latest release, ”Born To Rule”. By this point, I’m pretty beyond actually counting the number of albums the General has had (I do, however, believe that this album is his first since 2007’s very decent ”Confidence In Self”), but I do have confidence in myself when I saying that, in all likelihood (some confidence, right?), I’ve never before been SO excited to dig into one of his albums. Traditionally viewed as somewhat of a ’sidekick’ (and I mean that not only in the most respectful of senses, but I also don’t have that view, personally) to Reggae legend and his “spiritual brother”, Luciano (who, most coincidentally, also has a brand new album out these days, ), for me and a hopefully ever expanding group of fans, the General is just as talented as his historical friend and probably has been one of the most wholly talented singers that this generation of Roots Reggae music has seen.

For me, besides just acknowledging that he has had a very good year (and he has), Mikey General is one of the artists who I just always like to listen to because his music is just so well presented, first and foremost. While I may be able to find you artists who have better voices (but not many) or artists who have sharper pens (but not many there either), I cannot name you a single one (including Luciano) who appears to have a greater COMMITMENT to what he/she sings than Mikey General. Also, in terms of the most tangible, I definitely consider the General to be one of the finest lyricists singing today.

It isn’t necessarily something he gets due credit for, at least not in my opinion, but when you REALLY check Mikey General’s words and his messages, it’s quite clear. Now, speaking of credit, credit goes to the General himself (obviously) as well Luciano, for pushing the ”Born To Rule” album through their very own label, Qabalah First Music, in conjunction with Domacran Music from out of Germany. Previously, Qabalah has released albums for Mikey General and combination albums between the two and it’s so nice to know that they’re still in business and not only that but are in the business of undertaking such a project.

With labels coming (especially) and going so often these days, Qabalah is one which, although not very active, always has found the time and resources to do the works of Mikey General and Luciano and that is the way things should be. As for the music here, it appears that the album has been placed together with former singles from the General and while some are familiar, some are much less so (and presumably new-ish).

With that being said, of course should expect the same proven style of high and higher spirituality and inspirational type of vibes from the singer. There’re some twists and turns and one in particular, but to my mind the album doesn’t attempt to go about shedding any type of tradition of Mikey General and that’s so nice because we definitely like him the way that he is. By its end, while I’m not overly impressed or prepared to call ”Born To Rule” Mikey General’s best album to date, it does serve the purpose of not only keeping his name ‘out there’, but also - More Mikey General music is just a good idea and thank you for the gift!If you know Mikey General’s music and you can at least somewhat put together this album, then the prevailing sentiment is very clear and so clear, in fact, that I thought that I’d start there for a change. Mikey General sings to praise to His Imperial Majesty and at least indirectly EVERY song on his new album, ”Born To Rule”, is done with that in mind. Directly speaking, there is a stretch in the early-mid portion of the album which has a string of what is some of the best material to be found on the album and all of the tunes are giving direct honour and glory to His Majesty.

The first of these tunes is the fourth tune on the album, the delectably vibed ‘Jah Send His Love’. This one is just a ‘feel good’ type of a moment. It isn’t an over-cheery type of a song or corny to any degree, but I think that most listeners are going to have a very hard time vibing this tune without cracking at least one smile.

Next in is my choice of the album’s finest moment altogether, the sublime title track. “Seh mi nah tek no idiot chatCuz my knowledge is based on factMystery babylon caan make I stopPraise the toppa topCuz my faith is solid as a rockI’m now the shepherd of the flockAnd even though they put on the pressureI remain a total Rasta”The song is really (at least to my ears) about the wonderfulness which comes with walking with His Majesty and I think that, although the title and the chorus of the song are pretty specific, it is a song which definitely captures the main point of the album and absolutely a clear choice for the album’s title. Following that big selection is probably the most familiar draw on ”Born To Rule”, ‘Father God Almighty’. The tune came across Joe Fraser’s Chi Chi Bud Riddim from a few years back and it’s as nice now and it’s ever been to me and this is the type of seemingly ‘lost’ tune that can definitely be reenergized on album like this. ‘Ababa Jahnoy’ is the album’s previously alluded to changeup and it’s also the only combination you’ll find here. Joining the General are, of course, Luciano and Ethiopian artist Haile Roots and it was apparently recorded in Addis Ababa. The vibes are this one are.

Different to say the least. It took a while to grow on me but, at this point it’s one of my favourites now so do give it a few spins before passing judgment. And finally there’s the declarative ‘So Amazing’, which speaks on the power of His Imperial Majesty.

This is another one which will probably take more than one spin so give it some time, but it is fairly accessible and probably one of the better lyrical efforts on the album (particularly when the General begins to sing about the difference between KNOWING and BELIEVING).As for the rest of the tunes on ”Born To Rule” as I said, they all have something to do with giving thanks and praise to The Almighty, but they do so, for the most part, indirectly and that alone isn’t a bad thing (and most of the time that’s my favourite type of song). For example, while the opener isn’t a song which I particularly really enjoy, ‘Full Speed’ is decent social commentary where Mikey General speaks the nature of the way the world works these days being too fast, literally and figuratively, and how it would be so much better if things ‘slowed down’ and everybody could enjoy the fullness of His Majesty. Continuing on, the second track ‘Free’ (which I REALLY like) has a bit of an odd vibes around it and it speaks on breaking free from the same type of situation elaborated on in the first track (and guess how that is accomplished) and perhaps the dynamic ‘Now Is The Time’ is the needed ’umph’ to get those things going - Becoming “free”. And I’ll jump ahead (just messy this time don’t?) to make a comparison between ‘Now Is The Time’ and ‘Tek It To Dem’, the album’s closer which is another type of ‘kick’ type of song.

This one, however, is one which seems to be very personal for Mikey General as he speaks on his struggles in the business of making music and how he’s thought of leaving it all behind him. I didn’t have to dig back too far to find this absolute GEM of an album from Jah Warrior, the once mighty label from out of the UK.

Peter Broggs is one of a very small group of artists who I just tend to make sure I’m listening to something from (others would be people like Yami Bolo, Batch and Ras Army as of late) as I almost always pick up something new from them on each and every spin. Lately, I’ve been thoroughly enjoying ”Jah Golden Throne” from Steve Mosco and company. This wasn’t Broggs’ best piece of work, I acknowledge that, but it’s always been one of my personal favourites. With a big big new version of ‘Jah Voice Is Calling’, ‘I Put My Trust In Jah’, 'Jah Is Mighty In Battle', ‘Rasta Nah Lose Him Culture’ (TEARS!), ‘Lef Babylon’, ‘Hail Him’, ‘Warning’. You know what? Maybe I should take that back.

Maybe it was one of his bests! It’s easy to say that it must’ve been those two nights two or three weeks ago when his latest album, was absolutely MURDERING my players that brought the debut release of South Afrikan Reggae star, Black Dillinger, ”Live & Learn” back into my sights. In no way was this album as complete or as. FUN as it’s successor (when you listen to one after the other, the difference is SO obvious), but it also wasn’t AWFUL either. Today, the highlights on the album have perhaps changed (and again, my expectations are a bit higher for Dillinger these days than a couple of years ago), but I still think tunes such as ‘Dangerous’ alongside Vido Jelashe, ‘Dem A Wonder’, ‘Jah Jah Love’ (LOVE that ridiculous riddim) ‘Sinking Sand’ (especially that one) and a few others (like ‘Mama’) (Hey Mama!) are certified big tunes, regardless of the album they appear on. The Xterminator produced ”Healthy Lifestyle” is an album I very much have a ‘hot & cold’ relationship with. I can remember when it first dropped and although I was pretty impressed at the time (it wouldn’t have been hard to be impressed at that time), I certainly wasn’t blown away by what I heard and soon after the album pretty much fell out of players and out of my favour as well.

Over the last year or so, however, it’s slowly been creeping back to me, and it is outstanding because it’s almost like Lutan Fyah released a new album to my ears (instead of not taking off ALL of 2010, which is what he did) It’s not his best (I’m sure this time) and you would’ve hoped for that for his debut on VP Records, but what it is, is typically high level material from one of modern Roots Reggae’s greatest and most unquestionable lyricists. Every tune isn’t stellar (I don’t particularly like ‘You Can Do It’ at all), but you can drop in at almost any point of the album and hear something powerful being said - You can pretty much say the same thing for the Fyah’s entire career. There’s no surprise at all why I went rummaging through my embarrassingly small collection of Peter Tosh albums in early November - Early next year we will FINALLY be treated to the release of the LOOOOOOOOONG awaited ”Bushman Sings The Bush Doctor” tribute album to Tosh by Bushman (with February 15 supposedly being the actual date). The surprise is why I eventually settled on ”No Nuclear War” which just happens to be the final album Tosh was to release before his September 11, 1987 death (just days before actually), because this one, while certainly not horrible, wasn’t amongst his finest work.

The original eight track set ( and the re-release with nine) pretty much only features three songs that I like. Did I say “like”??? I mean LOVE in every possible way. There’s the misty-eyed ‘In My Song’ which is beautiful, ‘Nah Goa Jail’ which is such a SIMPLE herbalist tune that the fact that it is as dazzling as it is comes as another surprise and of course arguably my favourite Peter Tosh tune ever is on the album, ‘Vampire’.

Hopefully Bushman sings at least the latter (although he kind of tried that on ”My Meditation/A Better Place” with downright DISASTROUS results), but I am WELL looking forward to that album. Bloody awful (biggup Sherman) in almost every way.

You know that you’ve made a really bad riddim when just about every artist you choose to voice it sounds off-beat and you don’t voice rubbish artist after rubbish artist, but some big names. Well, that’s exactly what happened with Peter Jackson and Rattler Records, but it wasn’t because his riddim, the Diesel was BAD, because it wasn’t, it was HEAVY (incidentally Rattler was also the name behind the most ‘difficult’ Trafalga Riddim as well), but with fifteen songs on the riddim’s album, it had maybe four tunes which were at least decent. Of course, the greatest was ‘Wosen’ from Kartel (then still spelled Vybz Cartel). Also doing well was Bounty Killer with ‘Chicken Head’, unfortunately the tune also featured the underrated Angel Doolas who wasn’t in a fine form but was annoying, Ward 21 on ‘Topping’ and Shadu (remember Shadu???) with ‘Money’. I think Ele’s tune was a hit, ‘Passa Passa’, but it was bad and others such as Anthony Cruz, Vegas, of course Bling Dawg and Galaxy P, Bugsy Malone (remember Bugsy Malone???

He’s now Thugsy Malone) and even Mad Cobra and LMS with Morgan Heritage - All of them just missed the mark, but still draw this one for ’Wosen’. In retrospect. I have absolutely no idea what in the hell would have caused VP Records to take a chance on a pretty unknown trio named Treason (now named 3Suns), but also in retrospect, I’m pretty glad they did. Their debut, ”Word on The Street”, was probably one of the first Soca albums that I bought and back then at least, with tunes such as ‘Carnival Darling’, ’By The Bar’ with Bunji Garlin, ’Muddy Angels’, ’Dread Angels’ also with Garlin (and over the Tempted to Touch riddim) which is probably my favourite song these days and definitely Karnamania, I really enjoyed it. Not so much these days because I’m well spoiled and I probably haven’t like a 3Suns song in two or three seasons now, but it definitely helped to reopen a personal gate for me and to that end, it and 3Suns’ later album, ”Definitely” from a couple of years on, will always be kind of special for me. Just not very good anymore.

Although still pretty fun! Yow!So it’s the first of December and I’m sure you know what that means???It’s my Mother’s Earthday! 55 years ago the greatest human female to ever walk the world was born, so biggup my Mother each and every time and not only does her favourite offspring (the youngest too. What!) have something on her way, but hopefully we’ll see her in about a month’s time yeah.Mama A also shares a birthday with Richard Pryor, biggup Richard Pryor and ALSO, it is World Aids Day ribbon. Certainly something which is impacting not only to the world itself (duh), but also to this wonderful music which we attempt to celebrate so brightly each and every day. So hopefully, you’ll do something constructive for the moment, be it making a donation to your favourite applicable charity or maybe getting tested yourself or with your friends and/or family.

November was (seemingly the shortest month ever in the history of numbered days) a pretty productive month, I think. We got a lot of reaction for a few things - In particular there was the review for Apple Gabriel’s new album, (and more on that in a minute), also got just a bit for the review for Ras Indio’s, most of which centered around ‘where can I get it’ type of questions and just to reiterate ‘publicly’, you can get it pretty much anywhere. It’s on iTunes right now and emusic and Ernie B had the album last time we checked. I also did a nice. Didn’t get a lot of response for that (I now have legitimately about five people who come around here looking specifically for writing about Soca and pretty much ignore anything else (at least five that I know about who talk to me)), but what I did get was pretty informative and a lot of people liked my relaying of a story about my Daughter in honour of the anniversary of the - Biggup JC every time.

Oh and was Artist of The Month, first time I did that in two months and that definitely is getting a lot of response and I recently filed a story for it on United Reggae as well (more on them in a minute too). So that was November. What about December??? Let’s talk. Okay! My first review of the month, of course, will be for Mikey General’s new album, ”Born To Rule”, which a gentleman from Germany was kind enough to get to my house (via Bredz, of course) just last week (the case looks so nice, so well-presented) and we’ll be dealing with that on Friday hopefully. Okay, Milestone!

If you check, you can see that we had our first piece published on the site on December 5, 2009 and now, between however many articles and however many news stories, I’ve almost amassed 100 posted pieces and they have another two ready to go (three if you count that Jah Turban story), so we’ll probably hit 100 in just about a year’s time. And my work is also nearing 100,000 page views, so big me up. I never said I was THE best Reggae writer in the world (although CLEARLY I am), but I always said that I was the MADDEST and, in my opinion, that means going above and beyond, so doing 100 of those while still not missing a beat over here is pretty nice for me and, my buddies at declared me “probably one of the most prolific Reggae related music writers on the web, possibly even the planet” and yeah - I appreciate that and in terms of pure VOLUME, I definitely agree and I might just be THE most in that case and it’s definitely been a fun year demonstrating it yeah. Biggup a couple of more great writers as well. We have, who is more and more active these days and is ‘taking it to the next level’ in 2011. Nico’s going to be the second human being to go HD, like Machel, so definitely check him out, when I retire, he'll be charged with replacing me. And we have, who is fortunately popping up more and more these days, unlike the most ridiculous MONTH he used to wait between posts.

To access proxy settings in Mozilla Firefox, click on Firefox’s menu and go to Options. Click the “Advanced” icon at the left side of the Preferences window, click the “Network” tab at the top of the window, and then click the “Settings” button under Connection. You can select four different proxy options here. Click the Firefox menu and select Exit. Click the Firefox menu at the top of the screen and select Quit Firefox. Click the Firefox menu and select Quit. Locate and delete the file prefs.js (or rename it, for example, to prefs.jsOLD, to keep the old file as a backup). I'm trying to change some of the settings in Firefox. This is on a Mac running FF 60.0.2. I've created the mozilla.cfg and autoconfig.js files and added them to the appropriate locations. However when I check in about:config there aren't any changes. Connection settings in Firefox. Click the menu button and select Options. In the General panel, go to the Network Proxy Network Settings section. Click Settings. The Connection Settings dialog will open. Change network settings for firefox on mac. This is where you can customize performance settings in Firefox. Browsing This is where you can choose settings for scrolling, using the cursor (Caret Browsing mode) or searching for text in webpages. Network Proxy Network Settings This is where you can change Firefox connection settings and set a proxy to connect to the Internet.

You go over there and read that man’s work and tell me he doesn’t have the vibes to post every week. Biggup, did some stuff for us behind the scenes in November. Biggup Denise. Biggup everybody at Zojak (Hey Zoe!), Biggup Flava who sends us a new newsletter basically everyday (and sometimes twice a day). Biggup Molly from Bless Nobel’s camp. Biggup Rawle from Footprintz.

Biggup Shelly G. Biggup Rod from Vizion Sounds. Biggup Josh from Soul of The Lion. Biggup Heather from Truckback. Biggup Domacran.

Biggup Ras Denco and M&M. Biggup Akeunde from Jahlight Records and biggup Akinde also. Biggup Statia too.

I’m not supposed to say anything.And Biggup Mama A! From her last son. Everybody have a great month and if you are the festive type (and I'm not), then Happy Holidays.Tune is easy this month don't? “This is just another extraordinary collaborationReuniting distant relatives like Nas & Damian‘Fore I deal with the subject matter let me clear my throatEhhh, ehhh ehmm”The tune plays off the vibes of Nesta’s ‘Lively Up Yourself’ (and I would have paid extra to hear Lloyd Brown say one time, “cuz I said so”) (and by “extra” I mean more than the FREE that I paid to get this album) (hey Denise!) (again) (I digress) and the King himself would have been pleased with this usage of his work because it is STRONG. And finally is another tune which I was really looking forward to hearing, ‘Songbird’ which features the recently debuting Adele Harley. This one REALLY slows things down and is not at all the type of song I was expecting to hear from the two together. It’s very ‘airily’ vibed and although it is a love song, it’s that kind of traditional UK Lover’s Rock which I assumed it to be.

However, after about four listens or so, I started to really like the song and if the two wanted to link up again (and they probably will), I wouldn’t mind it.Now, if you’re one of my regular readers, or just a very observant newbie, you’ve probably noticed that throughout all of that, I didn’t actually declare one of those ten tunes to be THE best tune on ”Cornerstone” and that’s because, and I’m happy to say this, the album’s finest moment just happens to find Lloyd Brown flying solo. You may have to forgive me for being bias (because every time she hears the riddim my young Daughter begins to dance uncontrollably), but CLEARLY the best tune on this album is the only song I was certain was going to be present before we got the album, Lloyd Brown’s cut of Rootdown’s sweepingly Ska vibed Kokoo Riddim, ‘She Nuh Easy’. Ostensibly there’re better tunes here (I’m about to tell you about one and have already told you about three or four), but just Achis Reggae favourite, Smiley, with his tune ‘Lively Road’ and Jaqee with the hit ‘Kokoo Girl’, Brown MELDS himself to that riddim and sucks out everything in it that is head rockingly beautiful and it is a captivating track and one which I like more and more each time I hear it. With that being said, however, if you don’t happen to have a delightful child bouncing about each and every time ‘She Nuh Easy’ drops in, then you might very well call the big old school vibed social commentary ‘More of That’ to be the best tune on this album. “Togetherness, togetherness, yes it is the keyUnity, consideration, solidaritySo stop to all denial plus the negativityWe no waan no more of thatCaan tek no more of that”“Togetherness, togetherness, yes it is the wayThe teachings of Mosiah is the order of the daySelf reliance, distribution of the wealthWe need much more of thatWe need much more of that”Lyrically the tune just may be the best effort here and it also isn’t exactly boring.

If my Daughter wasn’t so wonderful in absolutely every way, this would be my favourite song on ”Cornerstone”. Yes, it’s that good.As the album winds down Lloyd Brown gives us three winners consecutively, with the bluesy ‘Come On Home’ and two old school sets, ‘Wanna Let You Know’ and ‘Another Sunday’. The first two are expressing sentiments captured from various stages of a ‘depleted’ relationship. ‘Wanna Let You Know’ is nearly exceptional to my ears and it sounds very familiar as well. Speaking of familiar, the final of the three tunes comes across an old riddim from Treasure Isle, the link made courtesy of the fine people at Joe Fraser Records and, probably just like the Kokoo today, anything at least half decent on that riddim is going to thrill and this very jovial and good time enthused lick is no different. And finally, Lloyd Brown obviously tries to make his listeners CRY near the end of the album - Placing both ‘Miss You Nights’ and ‘There’s A Reward For Me’ (!) in succession. The latter is going to get me someday, just like the original, it will probably get you as well, so be careful and the former as well.

And always the gentleman, Brown is sure to say ‘Goodbye’ in a BIG way for the album’s closer. I guess you might be able to refer to this one as a ‘love’ song, but it really isn’t it’s just a well wishing song as you join me in waiting the next eleven months or so for the next Lloyd Brown release.As I alluded a looooooooong time ago, there’re two things on the album which struck me as being very interesting, musically. The first was the decision to have more than half of the album as combinations and the second is one which will probably please (but do so greatly) only the most observant of listeners. So many songs on ”Cornerstone” seem to have extended portions without lyrics, where the music just plays uninterrupted and without lyrics.

Most notably, check.LB’s Remix. of ’Hit The Ground Running’ (which you’ll notice is almost ninety seconds longer than the other version of the tune), but you can hear it on other songs such as ‘Goodbye’, ‘definitely ‘Songbird’ and ‘Every Kind Of Way’. It’s almost next year! You know that means that IMMEDIATELY there will be new albums from the world’s busiest man. Oops, I mean Band, Midnite aka Vaughn Benjamin and he. I mean they’re getting things started right on time in 2011 with their first announced released, ”Treasure” from Rastar.

The album becomes the followup to so-so efforts and that other one whose name I can’t remember,. Actually listening through this one (it is on Juno) and it sounds pretty good actually. Of course, I’m not the biggest Midnite fan (because you are), but I think I might just put my hands on this one and have a listen, just like yourself.Rated Potential: 4/5Releases on January 25CD & Digital. Thankfully I was able to get a picture for this one so I could include it this week (biggup Aaron). This VERY curious piece, ”Jah Cure Special”, from Guyanese label, Walter Fraser’s Vizion Sounds, definitely caught my attention for a few reasons.

The first and most glaring is that it is work done by Jah Cure with what is quietly one of my favourite labels and the second, of course is that not only is it a song or two, but they’ve lined up the Cure with some Guyanese talent as well. Well, of course there’s First Born, that’s obvious, with a mix of the tune ‘Farmer’s Pleasure’, and it is a big big mix of an already big big tune. The second, however, is a mix of the tune ‘Your Love’ which features Achis Reggae favourite SHELLY G! When I first heard the tune I’d realized that it wasn’t completely new to me (further research reveals that it dropped earlier this year), but I had no idea that it was a Jah Cure/Shelly G combination. They sound absolutely excellent together as well. This release is eight tracks spread over the two tunes (with original, combination mixes, instrumentals and an a cappella version) and it is very very nice as well (listening to that voice in an a cappella is BIG and doing it twice is even bigger).Releases on December 14Digital. If you come back around here tomorrow (and by “tomorrow”, I mean ‘in a few days‘, because it’s Saturday when I’m writing this) you’ll definitely have the opportunity to get to know better the latest (and 14th) studio album from sweet singing UK veteran, Lloyd Brown, ”Cornerstone”.

The album which comes via the singer’s very own label, Riddimworks Productions, is my Tuesday review for this week, so while I’ll save heavy commenting for ’tomorrow’, even if you forget to return, do definitely check out the latest from one of the true reigning masters of Reggae music.Releases in a few hoursCD & Digital. And finally - The name Wyckyd J is one which has been around from quite a few years now and though I don’t know that I’ve EVER truly paid him as much attention as he probably deserved, the young DJ (almost a decade younger than me) (which is absolutely disgusting) from out of Gwada may now be DEMANDING that I do so with a big new tune from Don Jalys (which is apparently a label in London which does French Reggae, as opposed to Frenchie from out of Maximum Sound, who is French and does English Reggae), ‘Make A Unity’, which is. I might have to go back and give his album, ”Sweety Gyal” from 2008, a second listen because this isn’t his first tune this year which has reached the international digital market and nor is it the first such tune from which I have thoroughly enjoyed.Releases on December 13Digital. I thought that I’d mention this one, if for no other reason than because the PASSION which usually comes from fans of arguably St. Lucia’s most popular Reggae export (unless I’m REALLY forgetting someone), is probably the closest thing that I can think of to Midnite fans. In the case of Weekes, I’ve just never really been much of a fan of his music and I don’t particularly know why.

Still, I know a big album (on the surface) and certainly there’re going to be a lot of people farrrrrrrrr smarter than me who think the latest release from Taj Weekes & Adowa, ”A Waterlogged Soul Kitchen”, to be exactly that and that without conditions. I’ll keep my critiques to myself (unless I review it someday), but if you love Taj Weekes (and even if you don’t, you may want to give it a listen) definitely check out his latest much anticipated release.CD & Digital. Here’s a VERY interesting release.

The clues on this one come from the cover and the ample presence of the word ‘notorious’. You guessed it, it’s the riddim album for the riddim which backed Turbulence’s MASSIVE hit ‘Notorious’. I didn’t really know that this thing was passed about as much as it was, but certainly I can’t be surprised with as much WORK as it ended up doing for Turbulence.

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Also testing their skills across the Scallawah from T.H.C. Is a very eclectic group highlighted by such mixed names such as Ziggi Recado (alongside Turbulence on a remix of the hit tune, which I think was on Ziggi's debut album 'So Much Reasons') (the original is also here), the flaming UT Ras, longtime David House resident Moses I, Ray Darwin, Kulcha Knox, the late Daddigon, unfortunately Kid Kurrupt and Farenheit alongside Jovi Rockwell. Certainly the results, in almost every case, are mixed (the riddim itself is very very strange actually and I always thought that), but in all honesty this is clearly one of the most interesting entries on this entire post.Digital. Speaking of actual Dancehall riddims (and pretty album covers), next we have the latest composition from Dancehall veteran, Delly Ranx‘ Pure Music Productions, the very LARGE Saudi Arabia Riddim which is probably my current favourite Dancehall riddim going (isn’t saying much, I know). It almost brings tears to the eyes, unfortunately - That KNOCK. That KNOCKING Dancehall one-drop which has become a most endangered species. Anyway (I digress), of course you can expect copious amounts of Delly, Macka Diamond (big tune), Teflon, Gappy Ranks again, Wayne Wonder (who I’m going to tell you about in just a little while) and most surprisingly, Gramps Morgan, whose ‘The Almighty’ tune is easily the best of the offerings here.

Well done Delly.Digital. While I’m not overly thrilled with the Old School Riddim (or its title) from Russcuttaz, it’s such a rare occasion that I find myself saying such a thing, but pretty impressed with the project overall - Meaning that I like the artists and the rhymes over it mainly. And this one isn’t too PACKED with large names either. Higher Purse (the producer, I believe), Malijah, Chaos and Smokie Benz (alongside Karamanti) are some of the names here as are Shaka Pow, Cush Hunta and Wild Life, but the biggest guns on board are Natty King and Natural Black (both of whom do excellently with their tunes, respectively).

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So you can see that it isn’t soaking with star names. But that’s okay, because I like it and I think you probably will as well.Digital. I was actually about to save this one for next one, but after we gave it a quick spin through, it was pretty impressive and we noticed the small bit of response to be quite strong as well. So, definitely check out ”Bubbling To Touch” which is another riddim compilation album from the same people I just told you about on the Scallawah, THC Muzik.

Surely this one won’t attract as much attention, but apparently its rather easily and clearly stronger, in general, than its ’sibling’ the Scallawah and it features just as interesting collection of artists as well. Johnny Clarke, Daweh Congo, Noddy Virtue, Doniki, Fred Locks, Stream and the legendary Sugar Minott all decorate this piece and while I am by no means ‘blown away’, I am well intrigued.Digital. And finally - Dancehall/Reggae superstar Wayne Wonder is an artist who has quietly been building a very nice last year or two for himself with a semi-steady stream of big and unexpected quality tunes. So, while fans (and I am one of them) continue to wait for the next EP, the singer himself has put together a nice four track EP on his own Singso Records label (going digital courtesy of Zojak Worldwide), featuring some of his recent work.

You’ll find here the dazzling title track, the Big Ship vibed ‘All About You’ New Chapter Riddim, ‘I’ll Never Leave You’ (on the same GORGEOUS Dean Pond licked riddim which backed the title track from Pressure Busspipe’s latest album, ) and the EXOTIC ‘Don’t Say No’ from a few years back (which is HUGE) (incidentally, that tune got a WICKED straight Dancehall remix update not very long ago with Delly on board). Although Wonder has been flying beneath most radars since his last album, ”Foreva”, he remains one of the most consistent Dancehall singers of all time and his new EP, ”If I Ever”, is not only a big deal, but it is EXCELLENT as well, so do check it out.Digital.

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